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Ania Dorfmann was a great pianist. I guess she had to be in that man's world to have been the first woman pianist to be engaged by Arturo Toscanini as a soloist. She went on to play all of the Beethoven piano concerti, starting with the Choral Fantasy (the only time Toscanini performed it), and eventually recorded the first concerto with him.
in 1916 she went to Paris Conservatory where she studied for a year with Isidor Philipp. Her intention was to return to Russia, but the revolution had begun. She went back to France and established a successful career performing throughout Europe, performing with conductors of the caliber of Willem Mengelberg, Sir Thomas Beecham and Sir Henry Wood.
She came to the United States in 1936. In addition to Toscanini, she often performed with Serge Koussevitzky. from 1956, she taught at the Juilliard School
Ania Dorfmann plays with an elan rarely encountered in this music. Her's are among the finest performances of the Grieg and Mendelssohn piano concerti I know. (Sadly, the Mendelssohn has been removed due to copyright issues, though why anyone would want to deprice the world of this treasure for no apparent gain is beyond me.) And what, based on the one number from his Op 12, wouldn't I give to hear more of her Schumann. The Beethoven C major concerto is amazing. The piece by Tchaikovsky is incredibly beautifully played. In short, Ania Dorfmann was an extraordinary pianist of the highest order.
Beethoven Piano Concerto 1 in C major, Op 15
Arturo Toscanini conducting the NBC Symphony Orchestra
recorded live in 1945
i Allegro con brio (beginning)
i Allegro con brio (conclusion)
ii Largo
iii Rondo. Allegro scherzando
Beethoven Piano Concerto 1 in C major, Op 15
Charles Munch conducting the Boston Symphony Orchestra
00:29 ➢ i Allegro con brio
10:24 ➢ ii Largo
20:27 ➢ iii Rondò. Allegro
recorded live in 1950
Beethoven Concerto for Violin, Cello and Piano in C major, Op 56 "Triple Concerto"
i Allegro
14:39 ➢ ii Largo
18:10 ➢ iii Rondò alla polacca
with Michel Piastro, violin and Joseph Schuster, cello
Arturo Toscanini conducting the New York Philharmonic Orchestra
recorded live in 1942
Mendelssohn Six Songs Without Words
from Op 19b
2 in A minor - 02:33 ➢ 4 in A major
from Op 30
04:37 ➢ 3 in E major - 06:57 ➢ 6 in F♯ minor
from Op 38
10:12 ➢ 1 in E♭ major - 12:27 ➢ 2 in C minor
recorded in the 1950s
Chopin Étude in E minor, Op 25~5
recorded in 1938
Chopin Tarantelle in A♭ major, Op 43
Chopin Trois Écossaises
recorded in 1935
Chopin Nocturne 18 in E major, Op 62~2
recorded in 1938
Schumann Fantasiestücke, Op 12~2 "Aufschwung"
recorded in 1947
Tchaikovsky 6 June ("Barcarolle") from The Seasons, Op 37b
recorded in 1954
Grieg Piano Concerto in A minor, Op 16
i Allegro molto moderato
11:56 ➢ ii Adagio
17:46 ➢ iii Allegro moderato molto e marcato
Erich Leinsdorf conducting the Robin Hood Dell Orchestra of Philadelphia
recorded in 1953
von Sauer "Echo aus Wien"
recorded in the 1930s
For those of you who enjoy murder mysteries, here is my first with a strong musical polemic as background
Murder in the House of the Muse
which is also available as an audiobook.
And this is the more recently published second mystery in the series:
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