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Throughout her long career, Guiomar Novaes was considered by her peers, her critics, and her public to have been one of the greatest pianists of the 20th Century. At the age of 14, her playing amazed Debussy who, along with the other judges, including Faure and Moskowski, awarded her first place out of almost 400 applicants to the Paris Conservatory in 1909.
Early in her career, the New York Times called her "a musician by the grace of God," and the Boston Globe declared her "the young genius of the piano." At her prime, in the 1950s, Harold Schonberg compared her playing to that of Josef Hofmann. And she was dubbed "the Paderewski of the Pampas." Though she was from Brazil and not from the Argentine, this made for good copy.
Guiomar Novaes recorded quite extensively from the 1920s to the 1960s. And yet recordings of this magnificent pianist are scarce today with only a handful currently in print. Had she been a man, her name would be keeping company with the likes of Rubinstein and Horowitz. But even the greatest of the women pianists seem to have a short shelf life once they have left the concert stage, and the world of the living. This is a disgrace.
Novaes was most highly esteemed for her performances of Chopin and Schumann, and to a lesser degree Debussy. As you will hear from the selection of music offered here, Guiomar Novaes was a consummate artist and her genius did not discriminate. The Brahms, Liszt and Mozart examples, the concerti and the Siloti transcription of the Bach Organ Prelude will attest to that. In the Bach, she achieves textures and changes in sonorities strongly reminiscent of the organ. This is a stunningly beautiful rendition of this work.
And her Beethoven. Oh. . . her Beethoven.
Novaes plays Chopin wonderfully and it is our good fortune that a Brazilian pianist who goes by the name of bernardocarmopiano on YouTube has made available numerous examples of Guiomar Novaes playing the works of Chopin. Thank you Bernardo! I would also like to thank several other YouTubers who go by the names of Beckmesser2, pianopera, classicvinylbiz, Gullivior, pianushko and Pabeet who have made a numerous Novaes recordings available to us.
On the Guiomar Novaes plays Encores page are delicious short pieces by Albéniz-Godowsky, Gluck-Sgambati, Pinto, Villa-Lobos, Mompou, Moszkowski, and others. And on the Novaes plays Concerti page, Beethoven, Chopin, Schumann, Grieg, and de Falla.
Bach-Siloti Organ Prelude in G minor, BWV 535
recorded in 1952
Bach Toccata and Fugue in D major, BWV 912
recorded in 1942
Mozart Piano Sonata 11 in A major, K 331
i Andante grazioso
07:59 ➢ ii Menuetto
13:10 ➢ iii Alla Turca: Allegretto
recorded in 1955
Mozart Piano Sonata 16 in C major, K 545
i Allegro
04:44 ➢ ii Andante
10:18 ➢ iii Rondo: Allegro
recorded in the early 1950s
Beethoven Piano Sonata 14 in C♯ minor "Quasi una fantasia", Op 27~2 "Moonlight"
i Adagio sostenuto
05:19 ➢ ii Allegretto
07:43 ➢ iii Presto agitato
Beethoven Piano Sonata 17 in D minor, Op 31~2 "The Tempest"
i Largo. Allegro
ii Adagio
iii Allegretto
Beethoven Piano Sonata 21 in C major, Op 53 "Waldstein"
i Allegro con brio
iii Rondo: Allegretto moderato. Prestissimo
Beethoven Piano Sonata 26 in E♭ major, Op 81a "Les Adieux"
i Das Lebewohl: Adagio. Allegro
06:58 ➢ ii Abwesenheit: Andante espressivo
10:36 ➢ iii Das Wiedersehen: Vivacissimamente
recorded in 1966
Beethoven Piano Sonata 32 in C minor, Op 111
i Maestoso. Allegro con brio e appassionato
9:13 ➢ ii Arietta. Adagio molto semplice e cantabile
Schumann Papillons, Op 2
recorded in the 1950s
Schumann Carnaval, Op 9
1 Preambule - 2 Pierrot - 3 Arlequin - 4 Valse noble - 5 Eusebius
6 Florestan - 7 Coquette - 8 Replique - 9 Sphinxes - 10 Papillons
11 A.S.C.H.-S.C.H.A. (Lettres dansantes) - 12 Chiarina - 13 Chopin - 14 Estrella
15 Reconnaisance - 16 Patanlon e Colombine - 17 Valse Allemande (the Intermezzo Paganini is missing)
18 Aveu - 19 Promenade - 20 Pause - 21 Marche des "Davidsbündler" contre le Philistins
recorded live in 1969
Schumann Fantasiestücke, Op 12
recorded in the 1950s
Schumann Symphonic Etudes, Op 13
recorded in the 1950s
Liszt Two Concert Etudes, S 145
recorded ca 1962
1 "Waldesrauschen"
2 "Gnomenreigen"
2 "Gnomenreigen"
recorded in 1923
Liszt Liebesträume 3 in A♭ major
recorded ca 1962
Liszt Hungarian Rhapsody 10 in E major
recorded in the 1960s
Brahms Capriccio in B minor, Op 76~2
recorded in the late 1950s
Brahms Intermezzo in B♭ Major, Op 117~2
Debussy Préludes Livre I
1 Danseuses de Delphes : Lent et grave
2:58 ➢ 2 Voiles : Modéré
6:27 ➢ 3 Le vent dans la plaine : Animé
8:38 ➢ 4 Les sons et les parfums tournent dans l'air du soir : Modéré
12:43 ➢ 5 Les collines d'Anacapri : Très modéré
15:52 ➢ 6 Des pas sur la neige : Triste et lent
20:04 ➢ 7 Ce qu'a vu le vent d'ouest : Animé et tumultueux
23:10 ➢ 8 La fille aux cheveux de lin : Très calme et doucement expressif
25:35 ➢ 9 La sérénade interrompue : Modérément animé
27:57 ➢ 10 La cathédrale engloutie : Profondément calme
35:51 ➢ 11 La danse de Puck : Capricieux et léger
38:22 ➢ 12 Minstrels : Modéré
recorded in 1956
For those of you who enjoy murder mysteries, here is my first with a strong musical polemic as background
Murder in the House of the Muse
which is also available as an audiobook.
And this is the more recently published second mystery in the series:
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