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Harriet Cohen was a giant figure in the musical world of the first half of the 20th century. She gave many world premiere performances including Ralph Vaughan Williams' Piano Concerto (which was written for her), and made the first recording of Edward Elgar's Piano Quintet with the Stratton Quartet under the composer's supervision. A number of the important composers of the day composed works for her, including John Ireland, Béla Bartók, Dmitri Shostakovich, Ernest Bloch, Dmitri Kabalevsky and E. J. Moeran. And Sir Arnold Bax, who was Harriet Cohen's lover, wrote most of his piano music for her.
In the 1930s, she was actively involved in making the plight of the Austrian and German Jews known to the world. She played concerts to raise money to help Jewish scientists get out of Germany. Her efforts won her the friendship of such notables as Chaim Weizmann, the first president of Israel, Eleanor Roosevelt and Ramsay MacDonald
Harriet Cohen numbered among her close friends the likes of Elgar, Walton, Sibelius, Vaughan Williams, George Bernard Shaw, H. G. Wells and D. H. Lawrence, and Arnold Bennett, as well as many important politicians and businessmen. She was certainly one of the most famous musicians of her day and was was named a Commander of the Order of the British Empire (CBE) in 1938.
As a pianist, Harriet Cohen had a tremendous range, from Orlando Gibbons up to the music that was still beng written as she practiced. But for me she was at her most magical playing Chopin. The performance of the Opus 25 etude is nothing less than a three dimensional tone sculpture. The F minor Nouvelle Etude gives Cortot a run for his money, particularly in the middle section which she plays as one long phrase, so gradually building to its understated climax that I daren't breathe until it has been reached.
Gibbons Five Pieces : 1 Ayre - 2 Alman (0:55) - 3 Toy (1:24)
4. Coranto (2:12) - 5 Mr. Sanders His Delight (3:36)
recorded in 1947
Bach choral "Ertödt' uns durch dein' Güte" from Catata 22
recorded in 1928
Bach Preludes & Fugues from Book I
Prelude 1 BWV 846 - Prelude 2 BWV 847 - Prelude & Fugue 3 BWV 848 - Prelude 4 BWV 849 - Prelude 6 BWV 851 - Prelude & Fugue 7 BWV 852 - Prelude & Fugue 9 BWV 854
recorded in 1928
Bach Prelude & Fugue 5 in D Major - Book I
recorded in 1928
Bach Preludes & Fugues in C sharp Major & c sharp minor - Book I
recorded in 1928
Bach / Petri Fantasia in c minor BWV 906
recorded in 1935
Mozart Piano Sonata in C Major K 330
i Allegro moderato - ii Andante cantabile 06:41 - iii Allegretto 11:18
recorded in 1932
Chopin Etude in c sharp minor Op 25 n7
recorded in 1928
Chopin Etude in f minor from Trois Nouvelles Etudes
recorded in 1939
Brahms Ballade in d minor, Op 10 no1
recorded in 1930
Brahms Intermezzo in B flat Major, Op 76 no4
recorded in 1930
Debussy "La Catédrale Engloutie" from Préludes Book 1
recorded in 1948
de Falla "Andaluza" from Cuatro piezas españolas,
recorded in 1943
Bax "Paean"
recorded in 1938
Elgar Piano Quintet in A minor, Op 84 (with the Stratton Quartet)
i Moderato - Allegro ii Adagio 13:15 iii Andante - Allegro 24:57
recorded in 1933
Bax
Sonata for Viola and Piano (with William Primrose)
i Molto moderato ii Allegro energico ma non troppo presto iii Molto lento
recorded in 1937
Bath "Cornish Rhapsody"
Hubert Bath conducting the London Symphony Orchestra
recorded in 1944
Bax Morning Song, "Maytime in Sussex"
Malcolm Sargent conducting the Philharmonia Orchestra
recorded in 1947
Bax The Oliver Theme from "Oliver Twist"
with the Philharmonia Orchestra
recorded in 1947
For those of you who enjoy murder mysteries, here is my first with a strong musical polemic as background
Murder in the House of the Muse
which is also available as an audiobook.
And this is the more recently published second mystery in the series:
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