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Irene Scharrer is the kind of pianist one comes across very once in a while who reminds one why it is necessary to hear yet another interpretation of one's favorite pieces. Her technique was refined, with impeccable control and beautiful tone.
She was a pupil of Tobias Matthay at the Royal Academy of Music, debuted at the age of 16, and had a very distinguished career. She was often the partner of Dame Myra Hess, another Matthay student, in four-hand piano music. As a soloist, she often performed with conductors of the stature of Arthur Nikisch in Berlin and Landon Ronald in London.
Of the recordings below, I would like to single out the Chopin Fantaisie-impromptu and the B♭ minor Scherzo as being of particular interest. In the comparison recording of the Debussy Arabesque, I think Irene Scharrer's performance outshines both those of Pouishnoff and Gieseking. It is at once more subtle and more whimsical.
Purcell Toccata-Prelude
recorded in 1925
Bach Prelude & Fugue in C♯ major, BWV 848 (Well Tempered Clavier, Book I)
Bach "Jesu, joy of man's desiring"
transcribed by Dame Myra Hess
recorded in 1929
and as performed by Dame Myra Hess
Mozart Piano Sonata in G major, K 283
i Allegro - ii Andante - iii Presto
Mendelssohn Rondo capriccioso in E major, Op 14
Mendelssohn Song without Words, Op 67 ~4 "The Bee's Wedding"
recorded in 1927
Chopin Nocturne in C minor Op 48 ~1
recorded in 1916
Chopin Étude in G♯ minor, Op 25 ~6
recorded in 1933
Chopin Étude in G♭ major, Op 10 ~5
and (01:37) Impromptu 1 in A♭ major, Op 29
Chopin Fantaisie-Impromptu in C♯ minor, Op.66
recorded in 1932
Chopin Étude in G♭ major, Op 25 ~9
and (01:01) Waltz in D♭ major, Op 64 ~1
recorded in 1916
Chopin Étude in G♯ minor, Op 25 ~6
and (01:59) Scott Joplin Danse Nègre
recorded in 1915
Chopin Scherzo 2 in B♭ minor, Op 31
recorded in 1932
Liszt Concert Paraphrase on Rigoletto
recorded in 1929
Debussy Reflets dans l'eau
Debussy Poissons d'or
Debussy Arabesque 2
(a comparison)
1 Leff Pouishnoff (rec. 1923)
(02:28) 2 Irene Scharrer (rec. 1926)
(05:31) 3 Walter Gieseking (rec. 1928)
Goodhart "Tipperary" Five Variations
recorded in 1915
I include the following as an example of Irene Scharrer's playing with orchestra. Her's, an abridged performance of the movement, is the first example. There are ten other pianists playing the same movement on this video that you may listen to for your own amusement. I will save my comments for a separate page in the interpretation section of this site.
Saint-Saëns Piano Concerto 2 in G minor, Op 22
iii Allegro Scherzando
For those of you who enjoy murder mysteries, here is my first with a strong musical polemic as background
Murder in the House of the Muse
which is also available as an audiobook.
And this is the more recently published second mystery in the series:
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