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Dmitri Shostakovich and Vladimir Sofronitsky were Maria Yudina's classmates at the
Petrograd Conservatory. She studied with Anna Yesipova and Felix
Blumenfeld. And yet, I had not heard of her. Heinrich Neuhaus
recommended her for a position on the faculty of the Moscow
Conservatory, Sviatoslav Richter called her "immensely talented". Yet
she was hidden behind Soviet Russia's iron curtain during her lifetime
and was unknown to what is now a rapidly growing and wildly enthusiastic
international audience.
Maria Yudina was a remarkable woman
of unimaginable courage who knew her own mind and was not afraid to use
it, or speak it. She once said while cleaning up after dinner, "I've
got two enemies in this world - crumbs and the Soviet Power. I want to
have heaven above my head." She was a passionate Christian; an advocate
of modern Western music including the works of Bela Bartok, Paul
Hindemith, Ernst Krenek, Igor Stravinsky, and les enfants terribles
of the 1950s, Karlheinz Stockhausen and Pierre Boulez; a supporter of
modern Russian writers and poets; and an outspoken critic of the
crushing political system under which she lived her entire adult life.
In
his Memoirs, Dimitri Shostakovitch wrote that living under Soviet rule
was like living in an insane asylum. On numerous occasions, Maria Yudina was
banned from public performance, relieved of her teaching positions, and
forbidden to make recordings.
It is certain that because Stalin
adored her playing, reportedly her playing would bring tears to his
eyes, she suffered much less than she otherwise would have at the hands
of one of history's most murderous tyrants. Even after she donated the
money she received upon being awarded the Stalin Prize to the Russian
Orthodox Church for "perpetual prayers for Stalin's sins", she was left
relatively untouched.
Maria Yudina was most highly praised for her performances of the great German classics, her playing of
Bach, which was anticipatory of Glenn Gould's approach,
Mozart, and
Beethoven. And while her interpretations of Romantic piano music were considered
impressive, she was accused by Richter and others of not playing what
was written in her performances of Brahms, Liszt, Chopin, and even
Schubert. Who cares? It's beautiful playing. Listen to her
performance of Schubert's late Bb major sonata. Stylistically, it's all
wrong, and I love it!
Happily, her admirers have made a great many of Maria Yudina's recordings available to us on YouTube. You can judge for yourselves.
On this page she plays the music of Russian and "modern" composers. On related pages she plays Bach, Schumann, Liszt, Brahms and Debussy, and Beethoven, and Mozart, Haydn and Schubert.
And here are live recordings of several of her complete recitals.
Mussorgsky Pictures at an Exhibition
1 Promenade - 2 Gnomus
3 Promenade - 4 Il Vecchio Castello
5 Promenade - 6 Tuileries
7 Bydlo - 8 Promenade
9 Ballet of the Chicks in their Shells
10 Samuel Goldenburg and Schmuyle
11 The Marketplace at Limoges
12 Catacombae, Sepulchrum Romanum
13 Con Mortuis In Lingua Mortua
14 The Hut on Fowl's Legs
15 The Great Gate at Kiev
Mussorgsky from "Children's Recollections"
recorded in 1949
"Duma" (Reverie)
"Une larme" (A tear)
Mussorgsky Scherzo in C♯ minor
recorded in 1950
Mussorgsky-Kamensky Three pieces on the themes from Boris Godunov
1 The Holy Fool - 2 The Bell Ringing - 3 Glory
recorded 1969
Glazunov Prelude and Fugue in D minor, Op 62
recorded in 1951
Scriabin from 10 Preludes, Op 11
N° 2, 4, 5, 9, 10, 13, 15, 17, 22
recorded in 1952
m
Nikolai Medtner Piano Sonata "Triad" Op 11 (1906)
Recorded in 1958
i Allegro ma non troppo in Ab Major
ii Sonata-Elegy. Andante molto espressivo in D minor
iii Moderato passione innocente in C major
Bartok from Mikrokosmos
N° 128-132-137-142-144-145-146-149
N° 125-126-128-129-130-131-133-136-138-139
Stravinsky Piano Sonata (1924)
recorded in 1962
Stravinsky Serenade in A
1 Hymne - 2 Romanza - 3 Rondoletto - 4 Cadenza Finale
recorded in 1962
Szymanowski from Nine Preludes, Op 1
recorded in 1956
1 in B minor: Andante non troppo - 2 in D minor: Andante con moto
3 in D♭ major: Andantino - 4 in B♭ minor: Andantino con moto
5 in D minor: Allegro molto
6 in A minor: Lento - 7 in C minor: Moderato
8 in E♭ minor: Andante ma non troppo - 9 in B♭ minor: Andante ma non troppo
Alban Berg Piano Sonata, Op 1
recorded in 1964
Yuri Shaporin Piano sonata 2
i Allegro agitato, alla toccata - ii Andante (09:19) - iii Finale. Moderato assai (17:33)
recorded in 1959
Martinu "The Fifth Day of the Fifth Moon" H 318
recorded in 1961
Martinu "Les Bouquinistes du quai Malaquais" H 319
recorded in 1961
Prokofiev Visions Fugitives Op 22
recorded in 1953
1 Lentamente - 2 Andante - 3 Allegretto - 4 Animato - 5 Molto giocoso
6 Con eleganza - 7 Pittoresco (Arpa) - 8 Comodo
9 Allegro tranquillo - 10 Ridicolosamente - 11 Con vivacità
Paul Hindemith Piano Sonata 3
Ernst Krenek Sonata 2, Op 59
i Allegretto. Moderato comodo - ii Alla marcia, energico - iii Finale. Allegro giocoso
recorded in 1961
Shostakovich Piano Sonata 2 in B minor, Op 61 (1943)
i Allegretto - ii Largo - iii Moderato
recorded in 1965
Below are wonderful examples of Maria Yudina playing with others. She was formidable in works for two pianos, chamber works of all kinds, and of course, as a soloist with orchestra.
Tchaikovsky Piano Concerto 1 in B♭ minor, Op 23
Nathan Rachlin conducting the Kiev Philarmonic
recorded live in 1954
ia Allegro non troppo e molto maestoso
Sergei Taneyev Piano Quartet, Op 20
i Allegro brillante - ii Adagio più tosto largo (12:03) - iii Finale. Allegro molto (21:26)
recorded in 1953 with members of the Beethoven String Quartet
Dmitri Tsyganov - Vadim Borisovsky - Sergei Shirinsky
Stravinsky Concerto for piano and winds
i Largo - Allegro - ii Largo (07:37) - iii Allegro (14:15)
Gennady Rozhdestvensky conducting the USSR State Radio & TV Symphony Orchestra
recorded in 1962
Stravinsky Circus Polka for a Young Elephant for two pianos
with Maria Drozdova, piano
Prokofiev Sonata for Cello and Piano in C major, Op 119
recorded in 1966 with Lev Evgrafov, Cello
i Andante grave
ii Moderato
iii Allegro ma non troppo
Hindemith Sonata for Viola and Piano in F major, Op 11 ~4 (1919)
i Fantasie. Ruhig - ii Thema mit variationen. Ruhig und einfach wie ein Volkslied - iii Finale. Sehr lebhaft
recorded live in 1960 with Fyodor Druzhinin, Viola
Lutosławski Variations on a Theme by Paganini for Two Pianos
recorded in 1954 with Maria Drodzova
For those of you who enjoy murder mysteries, here is my first with a strong musical polemic as background
Murder in the House of the Muse
which is also available as an audiobook.
And this is the more recently published second mystery in the series:
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