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Dame Myra Hess is a monument, to music, to pianism, and to women. She was one of the very few women whose career was equal to those of the leading male pianists of her era. She was a pupil of Tobias Matthay, the great English piano pedagogue. At the age of 17, she made her debut under the direction of Thomas Beecham in Beethoven's Fourth Concerto and her career was launched.
She may be most widely known not for her playing but for her transcription of Bach's "Jesu, joy of man's desiring" from Cantata 147. She was fond of telling the story of a British soldier who whistled it on a train during the war.
"Are you interested in Bach?", by a journalist asked the soldier.
"No", answered the soldier.
"But you are whistling a composition by Bach," said the journalist.
"That's not Bach," replied the soldier indignantly. "That's Myra Hess."
I lead with her own performance of this wonderful work as well as several short video clips recorded in 1954 from the BBC archives, not for the musical value, as they are very brief, but for a sense of her presence on stage.
Myra Hess is what I would call a profoundly serious pianist. Her playing does not dance, it does not sparkle or glitter, there is little humor in her playing. But it does have a depth and intensity of passion, and what she does do in taking the more somber view is nothing short of miraculous.
Her repertoire sits squarely in the essence of the Classic-Romantic eras with Bach as her point de repère and Ravel as her destination, the music to which we constantly return for sustenance. Her Beethoven and Brahms are perfect. The recording of the Op 110 sonata of the former satisfies me in every way; the Op 117~1 of the latter cannot, in my imagine, be improved upon. And the way Dame Myra Hess plays the Chopin Op 49 fantasy makes me want to go back and offer that composer the rest of my life. It is unfortunate that the recorded sound is so poor in her otherwise miraculous recording of his C minor Nocturne.
There is a fabulous performances of the Schubert B♭ major sonata, the Schumann Symphonic Etudes, and her Mozart is just so. Myra Hess must claim her position as another on anyone's list of the top ten pianists in recorded history.
This page covers Dame Myra's recordings from Purcell to Beethoven as well as a few examples of chamber music, by Beethoven, Schubert and Brahms. Go to Hess Plays the Romantics for her performances of piano music by Schubert, Schumann, Chopin, Brahms, and others. And for her performances with orchestra, including three different recordings of the Schumann concerto, go to the Dame Myra Hess plays Concerti page.
Bach Chorale "Jesu, Joy of Man's Desiring" from BWV 147
Scarlatti Keyboard Sonata in G Major, K 14 / L 387
recorded in 1940
1954 BBC video of Myra Hess performing excerpts
Bach Chorale "Jesu, Joy of Man's Desiring" from BWV 147
Bach Toccata, Adagio and Fugue in C major BWV 564
Beethoven Piano Sonata 31 in A♭ major, Op 110
ii Allegro molto
Purcell Saraband, Minuet and Air
Saraband from Harpsichord Suite 2 in G minor
Minuet from Suite 1 Harpsichord Suite 1 in G major
Air from from the incidental music for Abdelazor
recorded in 1928
Bach Prelude and Fugue in C♯ major, BWV 848
from the Well-Tempered Clavier, Book 1
recorded in 1929
Bach Prelude in G major, BWV 902
Bach Toccata in G major, BWV 916
(Presto) - Adagio - Allegro
recorded in 1959
Bach English Suite 2 in A minor, BWV 807
recorded in 1956
i Prélude - ii Allemande - iii Courante
iv Sarabande - v Bourrée I - vi Bourrée II - vii Gigue
Bach Partita 4 in D major, BWV 828
Ouverture
05:36 ➢ Allemande
13:29 ➢ Courante
16:55 ➢ Air
19:21 ➢ Sarabande
22:58 ➢ Menuet
24:24 ➢ Gigue
recorded in 1949
Scarlatti Keyboard in C minor, K 11
Haydn - Piano Sonata 62 in E♭ major, Hob XVI:52
recorded in 1962
i Allegro (moderato)
ii Adagio
iii Finale - Presto
Mozart Rondo 1 in D major, K 485
recorded in 1958
Mozart Adagio in B minor, K 540
recorded in 1958
Beethoven "Für Elise"
Beethoven Bagatelle in B♭ major, Op 119~1
Beethoven Bagatelle in E♭ major, Op 126~3
recorded in 1957
Beethoven Piano Sonata 17 in D minor, Op 31~2
i Largo. Allegro
08:05 ➢ ii Adagio
15:27 ➢ iii Allegretto
recorded in 1949
Beethoven Piano Sonata 23 in F minor, Op 57 "Appassionata"
i Allegro assai
live video from 1945
Beethoven Piano Sonata 30 in E major, Op 109
i Vivace ma non troppo. Adagio espressivo
ii Prestissimo
recorded in 1953
iii Gesangvoll, mit innigster Empfindung (Theme and Variations)
Beethoven Piano Sonata 31 in A♭ major, Op 110
i Moderato cantabile molto espressivo
ii Allegro molto
iii Adagio ma non troppo
iv Fuga - Allegro ma non troppo
recorded in 1953
Beethoven Sonata for Violin and Piano 10 in G major, Op 96
with Isaac Stern, violin
i Allegro moderato
ii Adagio espressivo
iii Scherzo - Allegro
iv Poco allegretto
recorded in 1960
Beethoven Sonata for Cello and Piano in A major, Op 69
with Emanuel Feuermann, cello
recorded in 1937
i Allegro ma non tanto
ii Scherzo - Allegro molto
iii Adagio cantabile. Allegro vivace
Schubert Violin Sonatina 1 in D Major, Op 137~1 (D 384)
with Isaac Stern, violin
i Allegro molto
ii Andante
iii Allegro vivace
recorded live in 1960
Schubert Piano Trio 1 in B♭ major, Op 99 (D 898)
ii Andante un poco mosso
with Jelly d'Arány, violin and Felix Salmond, cello
recorded in 1927
Brahms Piano Trio 1 in B major, Op 8
with Isaac Stern, violin and Pablo Casals, cello
i Allegro con brio
ii Scherzo
iii Adagio
iv Allegro
recorded in 1952
Brahms Piano Trio 2 in C major, Op 87
with Jelly d'Arány, violin and Gaspar Cassado, cello
recorded in 1935
ii Andante con moto
iii Finale - Allegro giocoso (excerpt)
For those of you who enjoy murder mysteries, here is my first with a strong musical polemic as background
Murder in the House of the Muse
which is also available as an audiobook.
And this is the more recently published second mystery in the series:
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