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Nadia Reisenberg studied piano at the St. Petersburg Conservatory under Leonid Nikolaiev. Alexander Glazunov, who was at the time director of the conservatory, took a particular interest in her. After the Russian revolution, she and her family left, and in 1922 emigrated to the United States. Rachmaninoff and Josef Hofmann are said to have taken note of her talent. She became Hofmann's pupil, eventually becoming his teaching assistant at the Curtis Institute.
I can't say I am overly enamored of Nadia Reisenberg's Chopin which I find a tad heavy handed and her Ravel is disappointing, though I must confess her playing of Haydn sonatas brings the music to life for me in a special way, and the Scriabin and Rachmaninoff preludes are quite wonderful. And It is always interesting to hear the playing of those who have taught, and formed, so many of the musicians we know well, pianists of the renown of Richard Goode and conductors like Andrew Litton.
There is also a piano roll two piano version of the Litolff Scherzo which sparkles and dazzles appropriately, and in which one can hear what Rachmaninoff and Hofmann might have heard that impressed them so. And the Mozart four-hand sonata and the two viola sonatas (Clarinet sonatas adapted by Brahms) are included to demonstrate her excellence as a chamber musician, something Nadia Reisenberg particularly enjoyed.
Haydn Sonata in G major, Hob. XVI:6 (L 13)
ii Adagio
iii Menuet, Trio
iv Finale (Allegro molto)
Haydn Sonata in E minor, Hob. XVI:34 (L 53)
recorded in 1958
i Presto
ii Adagio
iii Finale
Haydn Sonata in D major, Hob. XVI:37 (L 50)
i Allegro con brio - ii Largo e sostenuto (4:19) - iii Finale: Presto, ma non troppo (7:31)
Haydn Sonata in A♭ major, Hob. XVI:43 (L 35)
i Moderato
ii Menuetto I and II
iii Rondo (Presto)
Haydn Sonata in E♭ major, Hob. XVI:52 (L 62)
i Allegro
ii Adagio
iii Finale (Presto)
Haydn Capriccio in G major, Hob XVII:1 (Moderato)
Haydn Arietta con variazioni in A major, Hob. XVII:2
Haydn Fantasia in C major, Hob. XVII:4 (Presto)
Haydn Tema con sei variazioni in C major, Hob. XVII:5
Chopin Nocturne in E♭ major, Op 9 n2
Chopin Allegro de Concert, Op 46
recorded in 1955 (or 1957)
Chopin Mazurka in B minor, Op 30 n2
(a comparison, of which the performance by Ferenczi is the only one that I find intersting, and the one by Lilamand a horror)
1 György Ferenczi (00:00) - 2 Nadia Reisenberg (01:35)
3 Charles Lilamand (02:50) - 4 Milosz Magin (03:49)
Tchaikovsky Nocturne, Op 10 n1
recorded in 1954
Scriabin from Etudes Op 8 & Op 42
I Étude in F♯ major, Op 42 n4 - II Étude in C♯ minor, Op 42 n5 (02:02)
III Étude in F minor, Op 42 n7 (04:54) - IV Étude in D♭ major, Op 8 n10 (05:56)
V Étude in B♭ minor, Op 8 n11 (07:58) - VI Étude in D♯ minor, Op 8 n12 (11:19)
recorded live in 1947
Rachmaninoff Prelude in C♯ minor, Op 3 n2
Ravel "Menuet"
recorded in 1939
Samuel Barber Four Excursions, Op 20
I Un Poco Allegro - II In Slow Blues Tempo (02:54) - III Allegretto (06:10) - IV Allegro Molto (08:30)
recorded live in 1947
Litolff Scherzo from Concerto Symphonique in D minor, Op 102
Duo-Arte piano roll with Joseph Lambert
Mozart Sonata for Piano Four Hands in F major, K 497
iii Allegro
with Artur Balsam
Brahms Sonata 1 in F minor for viola and piano, Op 120
recorded in 1954 with Paul Doktor, viola
i Allegro appassionato
ii Andante un poco adagio
iii Allegro grazioso
iv Vivace
Brahms Sonata 2 in E♭ major for viola and piano, Op 120
recorded in 1954 with Paul Doktor, viola
i Allegro amabile
ii Allegro appassionato
iii Andante con moto - allegro
For those of you who enjoy murder mysteries, here is my first with a strong musical polemic as background
Murder in the House of the Muse
which is also available as an audiobook.
And this is the more recently published second mystery in the series:
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