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Charles Rosen plays 20th century music with the same stylistic and structural care he applies to music of the Baroque, Classical and Romantic periods. There is a quality of rightness about his playing that so many other fine pianists achieve only with some of the music they play.
Here he plays a number of works by Igor Stravinsky, Anton Webern and Elliott Carter
Stravinsky Movements for Piano and Orchestra (1958-59)
Igor Stravinsky conducting the Columbia Symphony Orchestra
i Eighth note = 110
02:00 ➢ ii Quarter note = 52
03:34 ➢ iii Eighth note = 72
04:41 ➢ iv Eighth note = 80
06:18 ➢ v Eighth note = 104
Webern Five Songs from Der siebente Ring for voice & piano, Op 3 (1908-09)
I Dies ist ein Lied für dich allein - Fliessend
II Im Windesweben - Sehr fliessend
III Am Bachesranft - Ziemlich rasch
IV Im Morgentaun - Fliessend
V Kahl reckt der Baum - Langsam
with Heather Harper, soprano
Webern Five Songs after poems by Stefan George for voice & piano, Op 4 (1908-09)
I Eingang - Ruhevoll
II Noch zwingt mich Treue - Bewegt
III Ja Heil und Dank - Sehr langsam
IV So ich traurig bin - Sehr fliessend und zart
V Ihr tratet zu dem Herde - Langsam
with Heather Harper, soprano
Webern Four Pieces for violin & piano, Op 7
with Isaac Stern, violin
1 Sehr langsam
2 Rasch
3 Sehr langsam
4 Bewegt
Webern Three Little Pieces for cello & piano, Op 11 (1914)
I Mässige Achtel
II Sehr bewegt
III Äusserst ruhig
with Gregor Piatigorsky, cello
Webern Four Songs for voice & piano, Op 12 (1915-17)
I Der Tag ist vergangen (Volkslied) - Sehr ruhig
II Die geheimnisvolle Flöte (Li Tai Po/Bethge) - Langsam
III Schien mir's als ich sah die Sonne (aus August Strindbergs "Gespenstersonate") - Ruhig fliessend
IV Gleich und gleich (Goethe) - Sehr fliessend
with Heather Harper, soprano
Webern Quartett, Op 22 (1928-1930)
with Daniel Majeske, violin - Robert Marcellus, clarinet - Abraham Weinstein, saxophone
Pierre Boulez, conductor
I Sehr mässig
II Sehr schwungvoll
Webern Variations for Piano, Op 27
i Sehr mässig
[performed by Glenn Gould (rec 1950s)
01:44 ➢ Maurizio Pollini (rec 1976)
03:38 ➢ Charles Rosen (rec 1970s)
05:46 ➢ Mitsuko Uchida (rec 2000)
Elliott Carter Piano Sonata (1945-46)
i Maestoso. Legato Scorrevole
iia Andante (beginning)
iib Andante (conclusion)
Carter Double Concerto, for harpsichord and piano (1959-61)
with Paul Jacobs, Harpsochord
Frederik Prausnitz conducting the English Chamber Orchestra
recorded in the 1960s
Elliott Carter Night Fantasies (1979-80)
dedicated to Paul Jacobs, Gilbert Kalish, Ursula Oppens, and Charles Rosen
recorded in 1982 [score displayed is the 1995 rev ed]
(beginning)
(conclusion)
Carter: 90+ (1994)
For those of you who enjoy murder mysteries, here is my first with a strong musical polemic as background
Murder in the House of the Muse
which is also available as an audiobook.
And this is the more recently published second mystery in the series:
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